拍品 1468
- 1468
張培敦 (1772-1846)、吳楷（活動於中、晚清） 山水花卉冊
估價
120,000 - 180,000 HKD
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招標截止
描述
- Zhang Peidun (1772-1846); Wu Kai (active mid-late Qing)
- 水墨、設色灑金箋 十二開冊 一八三一及三九年作
- ink on paper; ink and colour on gold-flecked paper, album of twelve leaves
款識：
〈一〉 杏花山館。辛卯秋日。研樵敦。
〈二〉 曾見石田翁巒容川色，今縮擬此幅，未免學邯鄲而失其故步，不直一咲也。研樵敦。
〈三〉 道光辛卯秋日倣趙大年〈水田村舍圖〉於如畫樓。研樵。
〈四〉 風搖樹影寒，雨過苔衣積；何處暮歸人，蕩破秋江碧。仿關仝意，研樵敦。
〈五〉 半染微黃半染丹，霜華刻意作新寒；攜將杜牧楓林句，來到白雲深處看。仿包山法。研樵。
〈六〉 道光己亥夏四月擬王右丞〈溪山春雪〉於如畫樓。研樵張培敦。
〈十二〉 吳楷寫。
鈐印：
〈張〉 「研樵」（六鈐）、「竹溪生」。
〈吳〉 「辛生」（兩鈐）、「辛生畫記」、「辛生」、「雲靜廬」、「辛生」。
〈一〉 杏花山館。辛卯秋日。研樵敦。
〈二〉 曾見石田翁巒容川色，今縮擬此幅，未免學邯鄲而失其故步，不直一咲也。研樵敦。
〈三〉 道光辛卯秋日倣趙大年〈水田村舍圖〉於如畫樓。研樵。
〈四〉 風搖樹影寒，雨過苔衣積；何處暮歸人，蕩破秋江碧。仿關仝意，研樵敦。
〈五〉 半染微黃半染丹，霜華刻意作新寒；攜將杜牧楓林句，來到白雲深處看。仿包山法。研樵。
〈六〉 道光己亥夏四月擬王右丞〈溪山春雪〉於如畫樓。研樵張培敦。
〈十二〉 吳楷寫。
鈐印：
〈張〉 「研樵」（六鈐）、「竹溪生」。
〈吳〉 「辛生」（兩鈐）、「辛生畫記」、「辛生」、「雲靜廬」、「辛生」。
來源
香港蘇富比，二○○一年十月，中國書畫拍賣，編號105
Condition
-Generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
註：張培敦、吳楷同籍吳縣，活躍於嘉、道年間，分別師事翟大坤、繼昌父子。張氏精山水，吳氏擅花卉，俱清麗雅緻。
本冊集張培敦山水、吳楷花卉各六開，張氏兩開具年款，一為「道光辛卯」即一八三一年；一為「道光己亥」，即一八三九年，相距八載。吳氏花卉每開袛鈐印，僅一開署款。以該冊尺寸大小、紙張物料均一，應屬兩人先後寫於同一冊上。冊中，張培敦採小青綠法，尤近明中葉吳門畫派風格，雖題曰仿趙大年、關仝又或王維，筆下流露的卻是文唐面貌，又曰仿沈周者，實近王煙客一路，惟仿包山法者，最得陸治神韻，可見他對明人畫法用功之深。吳楷風格近南田，色鮮不流媚俗，筆法寫意卻又能捕捉物態之神；偶作山水則不脫文唐規範，頗近張培敦，合而視之，兩者風格協調和諧，或許是他們作品多集於一冊之原因。
本冊集張培敦山水、吳楷花卉各六開，張氏兩開具年款，一為「道光辛卯」即一八三一年；一為「道光己亥」，即一八三九年，相距八載。吳氏花卉每開袛鈐印，僅一開署款。以該冊尺寸大小、紙張物料均一，應屬兩人先後寫於同一冊上。冊中，張培敦採小青綠法，尤近明中葉吳門畫派風格，雖題曰仿趙大年、關仝又或王維，筆下流露的卻是文唐面貌，又曰仿沈周者，實近王煙客一路，惟仿包山法者，最得陸治神韻，可見他對明人畫法用功之深。吳楷風格近南田，色鮮不流媚俗，筆法寫意卻又能捕捉物態之神；偶作山水則不脫文唐規範，頗近張培敦，合而視之，兩者風格協調和諧，或許是他們作品多集於一冊之原因。