款識：
〈一〉 大癡畫法與巨然相伯仲，而蒼渾之氣更有出藍之玅。張伯雨題云，為精進頭陀以釋巨然為師，不虛也。沈焯。
〈二〉 一分山色三分水，楊柳橋邊舊草廬。仿唐子畏。竹賓。
〈三〉 樹色烟光望不分，溪聲遠近靜中聞；山人又為尋山去，讓出茅堂住白雲。倣米虎兒墨法。竹賓。
〈四〉 山色空濛雨亦奇。擬高房山青綠法。
〈五〉 黃鶴山樵遠宗右丞，近師文敏，參以董源，故足與倪黃方駕。橅南田本。竹賓。
〈六〉 修竹遠山。南田翁嘗畫之。
〈七〉 梅華道人從未設色，石田翁則兼之。此仿其意。竹賓。
〈八〉 巨然〈浮巒暖翠圖〉，予未之見，見王奉常臨本純似子久用筆，猶未失廬山真面也。竹賓焯。
〈九〉 雲林畫「江東好事家以有無為清俗」， 其幽微高澹處，殊難著筆。墨壺外史焯。
〈十〉 一片荒寒景，踈林圍暮烟；老漁繫船坐，秋在白蘋天。沈焯。
〈十一〉 樹帶秋容古，人看流水閒。略師六如居士意。竹賓。
〈十二〉 柳塘放鴨。意在南田石谷之間。沈焯。
〈十三〉 江上雪晴漁艇寒，江山刺眼玉巑岏；歸來不減灞橋興，滿意新詩壓凍鞍。仿徐幼文筆意。沈焯。
〈十四〉 竹陰入寺綠無暑，荷葉繞門香勝花。用文五峰筆法寫樊榭詩意。

鈐印：「 焯印」（五鈐）、「沈焯」、「墨壼客」（兩鈐）、「沈焯之印」（兩鈐）、「竹賓」、「竹賓」、「沈」、「竹賓」（兩鈐）、「墨壼生」、「竹賓」、「沈竹賓印」。

-Light stains and wear could be found due to age, otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

註：沈焯，字竹賓，吳縣人，活躍於道光至光緒年間。山水、花卉俱有名於時，後從者包括海上名家如楊伯潤、胡公壽等。有謂其畫風似王學浩，又或近奚岡神韻，本冊曰法前賢，上及宋元，下迄王惲，雖亦有題「略師六如居士意」，惟從整體視之，用筆厚重，無刻露之弊，設色沈鬱，筆墨較近椒畦一路，亦不乏個人風貌之流露。