吳湖帆題跋於裱邊 一九三七年

款識：
富春山圖為癡翁生平傑作，著名已久，前年於潘得興方伯庽齋見之，卷長三丈餘，中段平林坡石似雲林，後幅松樹似叔明，亦間用披麻皴法，可見此老胸中無所不有。余因借歸臨三日夜而竟，去春已付劫火，不知原本尚在否，輒用耿耿，今為韵初孝廉追憶作此，真如武陵漁子重問桃溪，茫乎不知所自矣。辛酉孟冬月。吳大澂。

題跋：
愙齋公為沈外祖畫仿子久〈富春山圖卷〉。丁丑長夏，湖帆所得。

愙齋公原名淳，為避同治御諱而改，此作咸豐辛酉孟冬月，在文宗已崩，穆宗立後故也。時公年二十七歲，外祖韻初沈公年三十歲。湖帆謹識。

此卷為外家舊物，仍歸湘之表兄寶藏。湖帆又記。

鈐印：
〈吳大澂〉 「吳氏清卿」、「大澂私印」。
〈吳湖帆〉 「吳湖颿印」、「醜簃長壽」。

藏印：「吳湖帆珍藏印」、「先人真迹湖颿嗣守」、「梅景書屋」。

-Paper has turned greyish due to age. Light creases can be found along the right and lower edges, which can be improved by restoration. Otherwise, generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

上款：「韻初」即沈樹鏞（1832-1873），號鄭齋，川沙城廂人。咸豐九年（1859）舉人，累官至內閣中書。累積金石、碑帖、書畫、古籍極豐，為咸同年間享負盛名之江南收藏家。他尤精鑒別考証，每有所得，必親校勘，有目錄、題跋錄、訪碑記等著述傳世。殁後，部分書畫收藏歸外孫吳湖帆，為「梅景書屋」奠定收藏基礎。

註：本幅乃愙齋早期之作，為「韵初孝廉」而製，時尚未都門赴考，吳沈兩家亦未結姻戚，惟皆好金石書畫，引為仝道。吳大澂得見當時奉為劇迹之大癡〈富春山圖〉，遂按自臨本寫贈藝友。畫上題曰「平林坡石似雲林」，「松樹似叔明」，畫中所見，雖云節臨，且筆墨尚未臻成熟外，意境簡遠，韻味疏冷，與傳世〈富春山圖〉卷構圖、技法迥異，可知愙齋當時所臨者恐屬贋鼎，但既存此貌，亦堪後人玩味。

吳沈兩家日後關係趨密，吳大澂胞妹許以沈樹鏞，沈氏女兒則嫁與其侄吳訥士，生子即湖帆。本卷藏於沈氏家族逾半世紀，至抗戰前夕，雖歸梅景書屋，仍屬兩家轉存，未至外流，湖帆題跋再三，復鈐「先人真迹湖颿嗣守」，珍重甚之，亦証兩家三代淵源。