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拍品 1071
  • 1071

安東尼·葛姆雷

估價
2,400,000 - 3,500,000 HKD
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描述

  • Antony Gormley
  • 捆綁II
  • 款識
    AMDG,1395,2011(雕像足底)

    註:此作品獨一無二

  • 鑄鐵
  • executed in 2011, this work is unique
二〇一一年作

來源

倫敦,白立方
現藏者購自上述來源

此作品附設藝術家簽署之藝術品證明書

展覽

聖彼得堡,冬宮博物館〈安東尼·葛姆雷:依然站立〉二〇一一年九月至二〇一二年一月,圖錄編號13,28-29頁(彩色圖版),119頁
倫敦,白立方(霍克斯頓廣場)〈安東尼·葛姆雷:依然站立〉二〇一二年七月至九月

Condition

This work is in good condition. Close inspection reveals occasional light scratches scattered across the sculpture and splattered markings across some of the front blocks of the work. The work has an oxidised patina. The client is advised to spray the marked blocks with de-ionised water via an atomiser, leave to dry and repeat in order for the marks to blend in across the surface and for the patina to develop over time. Ensure the whole block face is sprayed evenly, rather than focusing on an isolated area, to help achieve a more uniform surface. For transport, the sculpture is stabilized with a base measuring 45 x 50 x 3 cm affixed to its feet with 4 screws.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

依然站立
安東尼·葛姆雷

「作品嘗試把現代主義注入軀體,看能引發出怎樣的情緒。蒙德里安使用縱橫網格作為感知的脈絡,而我的作品則是把網格轉移到人體,如同一尊迷失的主角,亟需觀眾感同身受,才能把蒙德里安從藝術裡抽取出來的情緒重新贖回。」-安東尼·葛姆雷

安東尼·葛姆雷的〈依然站立〉二〇一一年在聖彼得堡冬宮博物館作處女展出,大獲好評,《捆綁II》作為其中一件作品,是《冬宮方塊》系列(二〇一〇至二〇一一年)中出類拔萃🔴之作,將首次在拍꧒賣中亮相。

此系列反映出藝術家創作的全新方向:試圖透過建築和周遭環境呈現身體內部結🏅構和內在狀態。葛姆雷曾說過:「我希望運用我們身邊的建築映襯搖搖欲墜的內在狀態,以展示其隨時頹然崩塌的可能。」(安東尼·葛姆雷,與D·奧瑟可夫對談,〈安東尼·葛姆雷:依然站立〉,展覽圖錄,聖彼得堡冬宮博物館,二〇一一年,57頁)。葛姆雷在〈依然站立〉中展出的十七件雕塑均由長方形的小鐵塊鑄合成形,建築部件般的方塊約略砌出人體內部,卻與解剖意義上的身體構造相距甚遠。

作品中的主要支撐方塊被移走,重量也在不知不覺中錯位,作品本身的重心也受到改變,引發失衡和不確定性。葛姆雷將此類作品形容為「一種質量與虛空的相互交織;存在與不存在的方塊間的相互推拉。」(A·葛姆雷,引述M·艾弗森,<依然站立>展覽圖錄,冬宮博物館,聖彼得堡,二〇一一年,50頁)

在冬宮博物館舉辦的展覽中,抽象樸實的大型雕塑展現粗糙及鏽跡斑斑的表面,與華麗的新古典主義設計氛圍以及古💞代雕塑的自信姿勢形成戲劇化的反差對比。除去底座的古代雕塑星星點點地四散在展廳內,這些理想化的優美軀體與觀眾身處一致的視角高度和空間,用藝術家自己的話說,更強調出方塊雕塑「含蓄的不穩定性」。

《捆綁II》內部固有的張力不但表現在作品題目中,更可見於緊密纏繞的外形上,表達出軀體收縮的一瞬間。這一形態原本用於葛姆雷的早期系列作品《Ataxia》中,雕塑以神經系統崩潰為靈感,描繪一系列「可能由痙攣瞬間、人體失去重心」而導致的形體彎曲(A·葛姆雷,同上)。在此作《捆綁II》中,葛姆雷保留了隱密的重心,同時探索一個更加線性向上的直立姿勢。《捆綁II》是藝術家正在進行的形狀探索中的重要部分:「這些堅硬、尖銳、環環相扣的方形組合是……用來探索一具生命體中一個特定瞬間。」(A·葛姆雷,同上)

Photograph by Stephen White, London