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拍品 34
  • 34

DINI CAMPBELL TJAMPITJINPA CIRCA 1942-2000 | Nyilla

估價
5,000 - 7,000 GBP
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描述

  • Nyilla
  • 1987, bears the name Dini and Papunya Tula Artists catalogue number DC870670 on reverse
  • Synthetic polymer paint on linen
  • 183 x 183 cm

來源

Painted at Kintore, Northern Territory in 1987 for Papunya Tula Artists
Papunya Tula Artsists, Alice Springs
Private Collection
Utopia Art, Sydney
Private European Collection, acquired from the above in April 2000

Condition

Please note, this work bears Papunya Tula Artists catalogue number DC8770670 on reverse. Synthetic polymer paint on linen, on stretcher, unframed. The work appears to be in very good condition overall with no visible evidence of repair or restoration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

This painting is sold with an accompanying Papunya Tula certificate that reads, “Nyilla, west of Kintore in the Gibson Desert, is the site depicted in this painting. Here a group of Tingari Men of the Dream time paused in one of their legendary journeys. As Tingari events are cloaked in secrecy, no further information could be disclosed. Generally, the Tingari are a group of mythical characters of the Dreaming who travelled over vast stretches of the country, performing rituals and creating and shaping pa1iicular sites. The Tingari Men were usually followed by Tingari Women and accompanied by novices and their travels and adventures are enshrined in a number of song cycles. These mythologies form part of the teachings of the post initiatory youths today as well as providing explanations for contemporary customs.”