Anthony d'Offay Gallery, London
Acquired from the above by the present owner in 1991

London, Anthony d'Offay Gallery, Gerhard Richter Mirrors, April - June 1991, cat. no. 64, p. 73

This work is in very good condition overall. There is slight undulation to the sheet, inherent to the artist’s working method. Under extremely close inspection, a pinpoint minor surface accretion is visible in the upper left corner. The colors are bright, fresh and clean. The sheet is hinged verso to the mat intermittently along the edges. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

"...Almost every work of art is an analogy. When I make a representation of  something, this too is an analogy to what exists; I make an effort to get a  grip on the thing by depicting it. I prefer to steer clear of anything aesthetic,  so as not to set obstacles in my own way..." Gerhard Richter