Watercolor on paper (approximately 16 1/4 x 26 1/4 in.; 416 x 667mm). Minor foxing and toning, one or two scratches, one instance of loss, repaired. Handsomely framed and glazed (22 7/8 x 32 3/4 in.; 578 x 832mm). Not examined out of frame. 

Watercolor on paper (approximately 16 1/4 x 26 1/4 in.; 416 x 667mm). Minor foxing and toning, one or two scratches, one instance of loss, repaired. Handsomely framed and glazed (22 7/8 x 32 3/4 in.; 578 x 832mm). Not examined out of frame.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

A wonderfully executed original watercolor of wild boar hunting Wild boar hunting—or pig sticking—was a popular colonial pastime, particularly among Englishmen who had travelled to Africa or India for the purposes of big game hunting.  While the aim was to return from these lands having bagged lions or tigers, the pursuit of wild boar proved a rigorous sport, challenging even the most skilled rider. The watercolor present here—unsigned, but reminiscent of Alexander Wardrop—skilfully conveys the energy of the boar, the prowess of the riders, and the general excitement of hunt. Just visible in the margin is the figure of a rider being thrown from his horse, further underscoring the difficulty and danger inherent in such an activity.