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我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員，在此敦促您徵詢其他專業修復人員，以獲得更詳盡、專業之報告。

準買家應該檢查每件拍品以確認其狀況，蘇富比所作的任何陳述均為主觀看法而非事實陳述。雖然本狀況報告或有針對某拍品之討論，但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。

This vessel form, with its superbly harmonious profile, integrating its cover, and its unusual C-shaped motifs on the sides appears to have originated in the Kangxi reign. The shape is often called riyueguan (sun-and-moon jar), its cover supposedly representing the sun and the crescents at its sides the moon, but no comparable iconography appears to be known from other works of art. A rare Kangxi prototype of this design in the National Palace Museum, Taipei, is included in the exhibition Catalog of the Special Exhibition of K'ang-hsi, Yung-cheng and Ch'ien-lung Porcelain Ware from the Ch'ing Dynasty in the National Museum Palace, Taipei, 1986, cat. no. 27.

A similar jar from the Meiyintang Collection was sold in our Hong Kong rooms, 4th April 2012, lot 14; and another from the T.Y. Chao Collection was sold in our Hong Kong rooms, 19th May 1987, lot 283; one without cover in the Hong Kong Museum of Art was included in the Museum's exhibition The Wonders of the Potter's Palette. Qing Ceramics from the Collection of the Hong Kong Museum of Art, Hong Kong, 1984-5, cat. no. 79; and a Daoguang copy, lacking the raised C-shaped motifs, in the Palace Museum, Beijing, is published in Geng Baochang, ed., Gugong Bowuyuan cang gu taoci ciliao xuancui [Selection of ancient ceramic material from the Palace Museum], Beijing, 2005, vol. II, pl. 278.