Emile Goubert （生1852） 收藏

null
我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員，在此敦促您徵詢其他專業修復人員，以獲得更詳盡、專業之報告。

準買家應該檢查每件拍品以確認其狀況，蘇富比所作的任何陳述均為主觀看法而非事實陳述。雖然本狀況報告或有針對某拍品之討論，但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。

The inclusion of a four-character reign mark inscribed in on a double-peach sprig is more commonly found on Yongzheng period enamel wares, which may suggest an early Qianlong period attribution for the present bowls. A Yongzheng painted enamel zhadou in the Qing court collection inscribed with the mark on a double-fruit motif, is illustrated in The Complete Collection of Treasures of the Palace Museum. Metal-bodied Enamel Ware, Hong Kong, 2002, pl. 191; a painted enamel bowl with a related Yongzheng mark is illustrated in Hugh Moss, By Imperial Command, Hong Kong, 1976, pl. 18; and a ruby-back famille-rose cup also bearing a similar mark, is illustrated in John Ayers, The Baur Collection, vol. IV, Geneva, 1974, pl. A600, where it is suggested that Yongzheng marks on peaches were commissioned for imperial birthdays.

Related enamel wares with Qianlong marks inscribed on fruit include two pairs sold in these rooms, the first pair, painted with pheasants, on 5th November 1944, lot 20 and the second, with composite floral scrolls, on 1st June 1993, lot 99. A third example, painted with spotted deer, was included in the exhibition Chinese Painted Enamels of the 18th Century, Chineseꩵ Porcelain Company, New York, 19ꦆ93, cat. no. 11. 

Emile Goubert was a forensiꦚc doctor who lived in China in the second half of the 19th cen🐓tury and amassed a large collection of Chinese art.