拍品 597
- 597
清雍正 黃地花卉紋漳絨炕毯 |
估價
60,000 - 80,000 USD
招標截止
描述
- silk, textile
Condition
null
我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員，在此敦促您徵詢其他專業修復人員，以獲得更詳盡、專業之報告。
準買家應該檢查每件拍品以確認其狀況，蘇富比所作的任何陳述均為主觀看法而非事實陳述。雖然本狀況報告或有針對某拍品之討論，但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。
我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員，在此敦促您徵詢其他專業修復人員，以獲得更詳盡、專業之報告。
準買家應該檢查每件拍品以確認其狀況，蘇富比所作的任何陳述均為主觀看法而非事實陳述。雖然本狀況報告或有針對某拍品之討論，但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。
拍品資料及來源
Lavish carpets of this type were made to adorn imperial residences, often to cover grand furniture such as the kang, a platform that was heated by braziers with other furniture placed on top. The use of the carpet could be adapted according to the weather, such as placing additional layers underneath for added insulation. The colors and emblems associated with the imperial family were carefully selected, seen on the present piece in the yellow ground, the color of the emperors, along with the dragon borders and Buddhist motifs.
Silk pile cut-velvet appears to have been utilised in China from as early as the sixteenth century with this foliate design developed in the early Qing dynasty (1664-1911) and produced throughout the reign. According to Feng Zhao in Treasures in Silk, Hangzhou, 1999, p. 336, velvet is a warp-pile weave that can be divided into several categories, and is considered to be one of the high achievements of the weaver’s art. The present carpet is constructed of three silk-velvet panels that have been joined together. It incorporates both cut and uncut techniques, whereby the pile loops are cut to form the velvet pattern or remain untouched respectively.
Closely related kang carpets, but rendered in various colours, include one sold in these rooms, 25th February 1983, lot 130; another sold at Christie’s New York, 29th November 1990, lot 382; and a smaller version sold in these rooms, 19th March 1997, lot 143. Compare related carpets attributed to the early eighteenth century with a floral design and a single axis of symmetry, such as one depicting a large chrysanthemum bloom amongst foliate scrolls enclosed within a triple border of various designs, from the collections of The Textile Gallery, London, Lady Schiennen, and Asian Art Gallery, London, sold in our Hong Kong rooms, 8th April 2010, lot 1861; and another, sold at Christie’s New York, 2nd June 1989.
Silk pile cut-velvet appears to have been utilised in China from as early as the sixteenth century with this foliate design developed in the early Qing dynasty (1664-1911) and produced throughout the reign. According to Feng Zhao in Treasures in Silk, Hangzhou, 1999, p. 336, velvet is a warp-pile weave that can be divided into several categories, and is considered to be one of the high achievements of the weaver’s art. The present carpet is constructed of three silk-velvet panels that have been joined together. It incorporates both cut and uncut techniques, whereby the pile loops are cut to form the velvet pattern or remain untouched respectively.
Closely related kang carpets, but rendered in various colours, include one sold in these rooms, 25th February 1983, lot 130; another sold at Christie’s New York, 29th November 1990, lot 382; and a smaller version sold in these rooms, 19th March 1997, lot 143. Compare related carpets attributed to the early eighteenth century with a floral design and a single axis of symmetry, such as one depicting a large chrysanthemum bloom amongst foliate scrolls enclosed within a triple border of various designs, from the collections of The Textile Gallery, London, Lady Schiennen, and Asian Art Gallery, London, sold in our Hong Kong rooms, 8th April 2010, lot 1861; and another, sold at Christie’s New York, 2nd June 1989.