Commissioned by John Fuller (1757-1834), Rosehill Park, Brightling,
by family descent until,
Sir Alexander Fuller-Acland-Hood, 1^st Baron St Audries (1853-1917),
his sale, London, Christie's, 4 April 1908, lot 90, bt. Agnew's, on behalf of the father-in-law of the present owner

London, The International Exhibition, 1862, no. 780;
London, Agnew's, Centenary Exhibition of Water-Colour Drawings by Turner, 1931, no. 37;
Hastings, Hastings Museum and Art Gallery, Turner in 1066 Country, 1998, no. 12;
The Ashmolean Museum, Oxford (on loan 2004-2018)

Sir W. Armstrong, Turner, London 1902, p. 258;
A. Wilton, The Life and Work of J.M.W. Turner, Fribourg 1979, p. 348, no. 429;
E. Shanes, Turner's England 1810-1838, London 1990, p. 25;
A. Loukes, Turner's Sussex, exhib. cat., Sussex, Petworth House, 2013, p. 6  

Engraved:

by W.B. Cooke for Views in Hastings and its Vicinity (unpublished)  

Laid down. Sheet has slightly discoloured, most visible in the upper section in the sky. Two tiny white spots, one above the castle and the other in the upper right corner. The more delicate pigments have dropped back with age. Sold framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Magnificent Herstmonceaux Castle, which stands a few miles inland from Pevensey Bay, dates to the mid fifteenth century and is one of the earliest brick buildings in Britain. It was built by Sir Roger Fiennes (1384-1449), a prominent courtier, who accompanied Henry V to Agincourt and who later served as High Sheriff of Sussex. There had been a manor house on the site, which had been the seat, successively, of the de Hersts, the de Monceuxs and the Fiennes, from the time of the Conquest. The castle remained in the Darcy family, who were connected to the Fiennes’ by marriage, until the reign of Charles II, when Lord Darcy, 1^st Earl of Sussex was forced to sell his family seat, as a result of his extravagance and his love of gambling. In the eighteenth century, the castle was owned by the Naylor family, who were related to the Dukes of Newcastle, but by the end of the century, the building had fallen into a ruinous state. At the time of Turner’s visit, the great building was owned by Thomas Read Kemp (1782-1844), a Member of Parliament and the founder of Kemp Town in Brighton. 

In the present watercolour, which has been dated to 1813, Turner has positioned himself to the south west of the castle. The great edifice dominates the landscape and its pinky-red brick contrasting dramatically with the greens, blues and yellows of the surrounding countryside. It is early morning and a fine mist gently rises from the castle’s moat. To the left, a horse-drawn-carriage prepares to leave, while in the foreground, four cattle, whose composition and bulky forms appear to mirror that of the castle, cool off in the a reed-lined pond.

For further information on Turner’s Sussex watercolours please see lot 193.