The canvas is lined, the paint surface is clean and the varnish is clear. Extensive restoration is visible to the naked eye, most notably in and around the town on the left, and in the sky. Inspection underneath ultraviolet light reveals this, as well as retouchings scattered in the ships and along all four edges. In overall moderate condition. Offered in a painted carved frame in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Monamy was the first English artist to be seriously interested in depicting ships on fire, the ultimate painting exercise in the handling of light. At least seven other works of the same subject matter are recorded, one of which sold London, Sotheby's, 19 November 1982, lot 62.¹ 1. See F.B. Cockett, Peter Monamy 1681-1749 and his circle, Woodbridge 2000, p. 75, reproduced plate 14.