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拍品 257
  • 257

ANTONIO SAURA | Poupée

估價
80,000 - 120,000 GBP
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描述

  • Antonio Saura
  • Poupée 
  • signed and dated 1960
  • oil on canvas
  • 129.5 by 96.5 cm. 51 by 38 in.

來源

Galerie Stadler, Paris
Arthur Tooth & Sons, London
Acquired from the above by the present owner in 1964

Condition

Colour: The colours in the catalogue illustration are fairly accurate, Condition: This work is in good condition. Very close inspection reveals a fine pattern of drying craquelure most notably towards the lower left hand corner and to the areas of thicker impasto to the face, some of which have associated losses. Further very close inspection reveals historic frame rubbing in places to the extreme edges and some superficial scuffs and scratches in places throughout. Close inspection reveals horizontal stretcher bar marks to the upper and lower horizontal edges which have some very fine associated cracks. Inspection in raking light reveals some impressions and fine feather line cracks in isolated places throughout. No restoration is apparent when examined under ultra violet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

“Deep down, drawing reflects a moral attitude: from the moment it becomes a skeleton for flesh, it also structures a search for intensity. In fact, drawing cannot betray us, it is the best seismograph of an artist’s affective and cultural capacity” (Antonio Saura cited in: Exh. Cat., Strasbourg, Musée d'Art moderne et contemporain, Antonio Saura: Crucifixions, 2002, p. 45).