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拍品 379
  • 379

MAX SLEVOGT | Weiher im Park (Pond in the Park)

估價
25,000 - 35,000 GBP
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描述

  • Max Slevogt
  • Weiher im Park (Pond in the Park)
  • signed Slevogt and dated 09 (lower right)
  • oil on canvas
  • 62 by 74.5cm., 24 1/2 by 29 1/4 in.
  • Painted in Godramstein near Landau in 1909.

來源

Private Collection, France (sale: Sotheby's, London, 9th February 2005, lot 517)
Private Collection, Italy (purchased at the above sale)
Thence by descent to the present owner

展覽

Berlin, Galerie Paul Cassirer, 1910

Condition

The canvas is not lined and inspection under UV light reveals no signs of retouching. The canvas is gently undulating and the impasto is rich throughout. This work is in overall very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

This is one of the earliest works in a series of landscapes that Slevogt executed in Godramstein between 1909 and 1913. Peter Finkler, the artist's father-in-law, owned a house in Godramstein in South Germany, surrounded by a verdant landscape of rolling hills in which Slevogt found inspiration for a number of paintings. It was during those years that the artist created his most accomplished Impressionist paintings and made a vital contribution to the development of German Impressionism, alongside such artists as Max Liebermann and Lovis Corinth.

We would like to thank Mr Bernhard Geil for verbal confirmation of authenticity and for his assistance in the cataloguing of this lot.