Galerie Bellier, Paris
Acquired from the above by the present owner in 1997-98

Executed on thin cream wove paper, not laid down, affixed to a sheet of paper at all four corners. The upper edge is deckled, and the three other edges are unevenly cut. It appears to be no retouching visible under UV light. There are a few minor paint losses to the lower right corner and to the upper left corner. There are a few tiny tears and minor nicks along the extreme edges. There are a few creases in places notably to the upper left quadrant, a few dots of glue remnants, some of which associated with small paint losses, notably visible to the upper part of the third tree (from left to right, as visible in the catalogue illustration). The sheet is light stained. There are a few handling marks in places. This work is in overall good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The Fondation Georges Rouault has kindly confirmed the authenticity of this work.