Sir John Charles Robinson, London, by whom sold in 18🔜68 to

Sir Francis Cook, 1st Baronet, Visconde de Monserrate (1817–1901), Doughty House, Richℱmon💧d;

His eldest son,🃏 Sir Frederick Cook, 2𓆉nd Bt, Visconde de Monserrate, (1844–1920), Doughty House, Richmond;

His only son, Sir ꦑHerbert Cook,🤡 3rd Bt, Visconde de Monserrate, (1868–1939), Doughty House, Richmond;

Sold by his Trustees late in 1939 or early in 1940, one of the first 6 of an eventual 43 other paintings from the Cook Collection acquired with the assistance of Agnews by Nathan Katz of Kunsthandel D. Katz, Dieren🐻;

Forced sale from the above through Cor꧒nelis de Kempenaer to Hermann Goering in 1941;

Recovered by the Monuments Men (MFAA) and taken to the Munich Central Collecti𒁃ng Point on 25 July 1945 (inv. no. 5177);

From where released to the Dutch Governm🥀ent on 4 December 1945, and sent to theꦡ Stichting Nederlands Kunstbezit, Amsterdam, 4 June 1946, inv. no. 301 (bears their label on the reverse);

Restituted by the above to the Katz family on꧟ 3 January 1948 (according to the SNK inventory card);

With Katz Gallery, Basel, 1949–50;

Sold to Emil Georg Bührle (d. 1956), Zurich, by 1951;

Bührle family, Zurich;

From whom acquired by Somerville & Simpson, Lo🎃ndon, 1978;

Private collection, Jersey.

H. Cook, ‘La Collection de Sir Frederick Cook Visconde de Monserrate à Richmond’, in Les Arts [Paris], vol. 4ꦉ, no. 44, August 1905, p. 26;

W. von Bode, ‘Anton van Dyck als Mitarbeiter des Peter Paul Rubens’, in Rembrandt und seine Zeitgenossen, Leipzig, 1906, p. 266;

Abridged Catalogue of the Pictures at Doughty House, Richmond, Londo🀅n 1907 (& 1914), p. 28, no. 173, as hanging i🎉n The Lobby;

E. Schaeffer, Van Dyck: des Meisters Gemälde. Klassiker der Kunst, Stuttgart and Leipzig 1909, p. 157;

J.O. Kronig (H. Cook ed.), A Catalogue of the Paintings at Doughty House, Richmond, & Elsewhere in the Collection of Sir Frederick Cook, Bt., Visconde de Monserrate, vol. II, Dutch and Flemish Schools, London 1914, p. 34, no. 254 (as Jacob Jord🍸aens);

W. Drost, Barockmalerei in den Germanischen Länden, Potsdam 1926, p. 64;

H. Rosenbaum, Der junge Van Dyck (1615–1621), Ph.D. Diss., Munich 1928, p. 33;

G. Glück, Van Dyck, des Meisters Gemälde. Klassiker der Kunst, no✅. 13, 2nd revised ed., Stuttgart, New York and London 1931, p. 112;

M.W. Brockwell (ed.), Abridged Catalogue of the Pictures at Doughty House Richmond Surrey in the collection of Sir Herbert Cook, Bart, London 1932,🦩 p. 29, no. 254 (173), as on an unprimed canvas, in Room V, The Lobby, at Doughꦛty House (and as Van Dyck);

H. Vlieghe, ‘Het portret van Jan Breughel en zijn gezin door P.P. Rubens’, in Bulletin Koninklijke Musea voor Schone Kunsten van België, 1966, p. 186;

U.R. Köhler-Lutterbeck, P.P. Rubens und das Familienportrait. Kommentare zum Thema der Familie im Werk des Malers, Diss., Kiel 1975, no. 84;

E. Waterhouse, Suffer the Little Children to come unto Me, Ottawa 1978, p. 22, reproduced fig. 12;

E. Larsen, L'opera completa di Van Dyck 1613–1636, Milan 1980, pp. 89–90,no. 75, reproduced p. 91 (as circa 1616–17);

A. McNairn, The Young Van Dyck, exh.♛ cat., Ottawa 1980, pp. 158–60, no. 73, reproduced p. 256, without suggested dating🥀;

H. Vlieghe, Corpus Rubenianum Ludwig Burchard, Part XIX, Portraits, II Antwerp – Identified Sitters, London 1987, p. 62, under no. 79;

E. Larsen, The Paintings of Anthony van Dyck, Freren 1988, vol. 2, p. 47, no. 84, reproduced (as circa 1616–17);

C. Brown, E. Haverkamp Begemann and S.S. Dickey, Anthony van Dyck, exh. cat., 1990, p. 144, no. 3, reproduced (as painted circa 1616–17);

D.L. Lurie, Van Dyck and his Age, exh. cat., Tel Aviv 1995, pp. 38–39, no. 7, reproduced (as painted by Van Dyck circa 1616–17, or slightly later);

F. Baudouin in Van Dyck 1599–1641, C. Brown and H. Vlieghe (eds), exh. cat., Antwerp and London, p༺. 102, reproduced (as around 1617–18); 

N. De Poorter, in S.J. Barnes, N. De Poorter, O. Millar and H. Vey, Van Dyck. A Complete Catalogue of the Paintings, New Haven and London 2♈004, p. 102, no. I.108, reproduced (as datable to the middle of 1620); also p. 107, under no. I.113;

R.M. Edsel, Rescuing Da Vinci, Dallas 2006, p. 216, reproduced.

Zürich, Kunsthaus, Sammlung Emil Georg Bührle, 1958, no. 66;

Cologne, Kunsthalle, Weltkunst aus Privatbesitz, 1968, no. F5;

Ottawa, National Gallery of Canada, The Young Van Dyck, 19 Septꦍember ꧂;– 9 November 1980, no. 73;

Yokohama, Sogo Museum of Art, 15 August – 30 September 1990; Shizuoka, Shizuoka Prefectural Museum of Art, 6 October – 7 November 1990; Osaka, Museum of Art Kintetsu, 16 November – 3 December 1990, Anthony Van Dyck, no. 3;

Tel Aviv, Tel Aviv Museum of Art, Van Dyck and his Age, 29 October 1995 – 28 Janua✱ry 1996, no. 7.