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View full screen - View 1 of Lot 11. Entropy.

Huda Lutfi

Entropy

Lot Closed

January 31, 05:10 PM GMT

Estimate

6,000 - 8,500 USD

Lot Details

Description

Huda Lutfi

Egyptian

b.1948

Entropy


embroidery on organza with metal rod nails

70 by 60cm., 27½ by 23⅝in.

Executed in 2021

Please be aware of the Conditions of Sale when bidding. As a benefit auction, there is no buyer’s premium charged. The only additional costs due to the winning bidder are applicable sales tax and shipping. Works auctioned are sold “as is,” and condition reports are included with lot descriptions as available. In-person previews of the auction artwork will be available at Norval Foundation at 4 Steenberg Rd, Tokai, Cape Town, 7945, South Africa from 25 January – 20 March, Monday to Sundays 9AM – 5:00PM (Closed on Tuesdays).Please note that while this auction is hosted on laitexier.com, it is being administered by Norval Foundation (“the museum”), and all post-sale matters (inclusive of invoicing and property pickup/shipment) will be handled by the museum. As such, Sotheby’s will share the contact details for the winning bidders with the museum so that they may be in touch directly post-sale.

This work has been kindly donated by the artist

Huda Lutfi is a historian and artist who works in a wide range of media, including collage, assemblage, painting, photography, sculpture, installation and video. She is interested in the physicality of materials as well as the symbolic associations imbued within them. By recycling, re-appropriating and re-imagining objects outside their original context, Lutfi subverts the political, cultur𒉰al and economic systems that produce meaning. Her frequent use of feminised objects such as dolls, thread, mannequins and magazine clippings conveys her artistic as well as ♍academic interest in constructions of masculinity and femininity.


Entropy (2021) is a hand-embroidered work that invokes feminine traditions of craftsmanship and honours the labour involved therein. While this mode of creation is traditionally practised communally amongst women, Lutfi reverts to solitariness. The labour of stitching and sewing thus takes on a more selꩲf-reflec⛄tive meaning. Toying with the possibilities of entropy, Lutfi’s tapestry is informed both by the meticulousness of intention and the joy of experimentation.