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View full screen - View 1 of Lot 10. The School of Mutants 1, 2019.

Hamedine Kane

The School of Mutants 1, 2019

Lot Closed

January 31, 05:09 PM GMT

Estimate

2,000 - 3,000 USD

Lot Details

Description

Hamedine Kane

Mauritanian-Senegalese

b.1983

The School of Mutants 1, 2019


numbered 3 of an edition of 4+2AP (on accompanying certificateღ of authenticity), printed 2022

digital photograph printed on Hahemühle Photorag

80 by 118♉cm., 31½ by 46½in. (im🌃age size); 89 by 128cm., 35 by 50⅜in. (sheet size)

framed: 92 by 131cm., 36¼ by 51⅝in.

Please be aware of the Conditions of Sale when bidding. As a benefit auction, there is no buyer’s premium charged. The only additional costs due to the winning bidder are applicable sales tax and shipping. Works auctioned are sold “as is,” and condition reports are included with lot descriptions as available. In-person previews of the auction artwork will be available at Norval Foundation at 4 Steenberg Rd, Tokai, Cape Town, 7945, South Africa from 25 January – 20 March, Monday to Sundays 9AM – 5:00PM (Closed on Tuesdays).Please note that while this auction is hosted on laitexier.com, it is being administered by Norval Foundation (“the museum”), and all post-sale matters (inclusive of invoicing and property pickup/shipment) will be handled by the museum. As such, Sotheby’s will share the contact details for the winning bidders with the museum so that they may be in touch directly post-sale.

This work has been kindly donated by the artist

Artist and film director Hamedine Kane is concernওed with issues of memory, migration and mutation. Through research and fieldwork, he 🍰interrogates liminal spaces – geographical borders, historical palimpsests, places where the past and present intermingle – as sites of transformation and itinerant identities.


The School of Mutants 1 (2021) is a photograph of the abandoned campus of the African Future University. The work forms part of a broader research project, L’École des Mutants, a collaborative art and ♋research platform co-initiated by Kane and artist Stéphane Verlet-Bottéro in Dakar. The project revolves around the forgotten history of radical educational experiments in Senegal. The futuristic ruins of the University of the African Future, a pan-African academic utopia co-financed by many African states and Taiwan in the 1990s, stand abandoned in Sébikotane, a rural suburb of Dakar. Not far away are the remains of the colonial school William Ponty, where the first West and Central African independence fighters were trained. The resulting image is charged with the convergence of past, present and future possibilities, while the uncompleted campus stands as a monument to dreams deferred.